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April Guitar Lesson of the
Month..........Secure Order Form
"Embraceable You"
Guitar
Lesson by Steven Herron - press "Play"
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Dear Guitarist and Friend,
Welcome to
the April Guitar Lesson of the Month! This month's lesson is a chord melody
solo of the
George Gershwin standard "Embraceable You" arranged by the famous jazz guitarist
Jack Wilkins! This arrangement is from
the book with 2 CDs called "Jazz Guitar Standards - Chord Melody Solos" which is fully
described on the Jazz Guitar Music A-K page of our
website. It is an excellent example of how a
melody can be harmonized with 3, 4 and 5-note
chord voicings. You will also notice it is written in standard notation (for
those of you who can read music) and tab notation for those of you who can't. In
tab notation, the highest line of the staff towards the top of the page
represents the 1st string or the highest pitched string of the guitar, while the
lowest line of the staff represents the 6th string or the lowest pitched string
of the guitar. The numbers on the various lines tell you what fret to press down
on that particular string. So if you have the number "2" on the highest
line of the staff, it is telling you to press down the 2nd fret on the first
string of your guitar.
Also,
I am including a sound clip from one of the CDs that comes with this book - so that
you can hear exactly how the song should be played. Just click the
"Green" button
on the "Embraceable You" dashboard at the top of this page. You will also notice that
due to copyright restrictions, I am only presenting the first part of the song.
Here is the book description from our website:
Jazz Guitar Standards - Chord Melody Solos
- Book and 2 CDs. Songs include: "Body and
Soul, Can't Help Lovin' Dat Man, I've Got You Under My Skin, What's New"
-arranged by Ron Berman, "All
The Things You Are, April in Paris, East of the Sun, Honeysuckle Rose, In Your
Own Sweet Way, Just
Friends" -arranged by Chris Buzzelli, "A Foggy Day, I Could Write a Book"
-arranged by Charles Chapman,
"Beautiful Love, Yesterdays" -arranged by Corey Christiansen, "How High the
Moon, Moonlight in Vermont"
-arranged by Mike Christiansen, "As Time Goes By, Bluesette, Bye Bye Blackbird,
Invitation, It Don't Mean a
Thing, You Stepped Out of a Dream" -arranged by Dave Frackenpohl, "All of You,
But Not for Me" -arranged
by Barry Greene, "The Days of Wine and Roses, Have You Met Miss Jones, Smoke
Gets in Your Eyes, You
Go to My Head" -arranged by Sid Jacobs, "I Love You, Watch What Happens"
-arranged by Ken Karsh,
"Alone Together, Lover Man, My Funny Valentine, Night and Day" -arranged by
LaRue Nickelson, "I Can't
Get Started, Satin Doll, Summertime" -arranged by John Purse, "The Way You Look
Tonight, What Is This
Thing Called Love" arranged by Bruce Saunders, "Misty, Speak Low" -arranged by
Rick Stone, "Embraceable
You, Long Ago, Someone to Watch Over Me' -arranged by Jack Wilkins. Notation/ tab / Fingerstyle/ pickstyle...Price
- $24.95
Jack plays "Embraceable You" using a pick, although you could
also play it fingerstyle, using your right hand fingers instead. The first chord
of the 1st measure will employ "rest stroke" picking, where your pick will strum
down from the 4th string and rest against the 1st string. This will not only
lessen the possibility of you accidentally hitting the first string, but will
give you a fuller sound out of your notes. There will be other chords in this
arrangement where the melody note is on the 2nd or 3rd string and you would want
to use rest stroke picking for those as well. The first chord of the piece will
also require that you use a "hinge bar" whereby your 1st fingertip is pressing
down the 4th, 3rd and 2nd strings at the 5th fret. The 1st chord of the 2nd
measure will require that you use the same "hinge bar" again.
Here are some hints which will help
out your pickstyle playing considerably. Hold your pick between your right hand thumb and
the left side of your index finger tip, keeping your thumb perfectly straight so that it
is tension free. The pick should be held loosely enough that there is a little give and
take when you strike a string. This way you won't feel like you're digging in or dragging
across the string. The pick should strike each string perpendicularly or straight on, as
opposed to striking the string at an angle. You will get a fuller sounding note this way.
Also, only the tip part of the pick needs to strike the string. There is no need to dig
your pick down between the strings. This creates too much resistance. When you use a pick,
your up and down picking motions come from your hand, wrist and forearm at the exact same
time. They move as 1 unit in a rotary motion and your wrist stays perfectly straight. Keep
your middle, ring, and little fingers loosely held back in the palm of your hand - don't
give in to the temptation of resting your little finger on the pick guard or the face of
your guitar. This will only serve to glue you into 1 position and will cut down on your
mobility and freedom of motion.
Remember to keep your left hand thumb straight, pointing towards
the ceiling and in the middle of the back of the neck. Resist the temptation to hang your
thumb over the top of the guitar neck. Your left wrist should be slightly arched and
directly underneath the guitar neck itself. Play on the tips of your fingers, close to the
fingernails, being sure that the right side of the palm of your left hand is the same
distance from the fretboard as the left side of the palm of your left hand. This will
balance and center your left hand so that all of your fingers have an equal and fair reach
advantage. Never lift a left hand finger more than 1/2 inch away from the strings. This
alone will improve your accuracy because now you have less chance of missing the next
note, since you won't be traveling a great distance to find it.
Please be sure to use the 5 step
"Visualization, Mental Imagery Process" that I have taught you earlier. If
you have not yet received this report, here is a link that you can use to access it: www.ChordMelody.com/newpage110.htm. If you are interested
in seriously pursuing the fascinating art of chord melody solo playing and rhythm chord
playing (or comping) I would urge you to check out Steven Crowell's 4 year college level
jazz guitar course located on the "Jazz Guitar Music
Course" page of our website. An excellent video series for jazz guitar
playing in general is "You Can Play Jazz Guitar" volumes 1, 2 and 3 by Mike
DiMecco located on the "Jazz A-K" section of our
website. We also offer a unique selection of fingerstyle and pickstyle books
w/CDs as well as videos of jazz and pop standards on the
"Jazz L-Z"
page of our website.
Warm Regards,
Steven Herron
P.S. At the bottom of this page, you can see and hear our featured DVD of the week, which is currently on sale for 20% off the regular price!
P.P.S. If you haven't already received a copy of
my Chord Harmonizations Report - here is a link to that page -
Chord Harmony Report
P.P.S. Let me say that
these guitar lessons are not meant to take the place of a good teacher,
instructional video or book/CD. If you are truly serious about becoming a
better guitarist, eliminating the chance of developing bad habits and saving
yourself hundreds of hours of frustration and wasted time, I would recommend
that you set aside a regular monthly allowance to devote towards furthering your
skills and education. You could take private guitar lessons ($70 - $80 per
month) or you could purchase a new book/CD or instructional video each month
($20 - $40). I find it strange that many aspiring guitarists will spend
$100's or even $1000's on a new guitar and then turn around and spend only $20 -
$40 on a book or instructional video - thinking that this is all they will ever
need to master the guitar. Good instruction, whether it is from a teacher
or from the many superb instructional books and videos that are available, will
give you an excellent chance of succeeding and reaching your goal of becoming a
good guitarist or even a great guitarist!

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